All Interview articles
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FeaturesJose Luis Rebordinos talks Spanish boom, lack of women directors and the festival’s role as curator
”This year we have seen fewer titles directed by women that we liked.”
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Features‘The Face Of Horror’ filmmakers on building a 14th-century English medieval world in the Czech Republic
US filmmaker Anna Biller and producers Mike Goodridge and James Bowsher on the journey to creating their Midnight Madness premiere.
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FeaturesMy Screen Life: TIFF exec Geoff Macnaughton talks sneaking Tom Hooper into a screening and being a “comedy nerd”
Geoff Macnaughton, TIFF vice president, market programming and theatrical and programmer of Primetime, reminisces about sneaking Tom Hooper into a screening and admits to being a “comedy nerd”
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FeaturesIsraeli directors Yuval Abraham and Rachel Szor on their new documentary ‘NAZA’
The hard-hitting documentary premieres in Venice Competition and is executive produced by Jonathan Glazer
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FeaturesMy Screen Life: Killer Films’ Christine Vachon talks Todd Haynes and writing reviews of airport lounges
Christine Vachon, one half of the legendary Killer Films producing duo, on launching her career with Todd Haynes and reviewing the wine selection at airline lounges
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FeaturesLee Chang-dong talks Netflix and long-awaited return with Venice competition title ‘Possible Love’
The director of ‘Burning’ returns after eight years with a relationship drama.
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FeaturesShinya Tsukamoto talks Venice competition war drama ‘Mr. Nelson, Did You Kill People?’
The Japanese filmmaker behind ‘Fires On The Plain’ and ‘Killing’ on the “definitive work” in his series of features about war.
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Features‘Our Share Of Sand’’s UK filmmakers talk shooting in India, with child actors, in three languages
The Venice Critics’ Week premiere the feature debut of Shalini Adnani and is produced by Sara Bonakdar.
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Features“We should give actors wings so they can fly even higher”: Alexandre Desplat on his scores for ‘Frankenstein’, ‘Jurassic World Rebirth’ and ‘The Social Reckoning’
The prolific French composer has two Oscars, three Baftas and more than 200 screen credits to his name.
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Features“I made a deal with a butcher”: Hildur Gudnadottir on creating a bone orchestra for the ‘28 Years Later’ sequel
The Icelandic composer is guest of honour at this year’s World Soundtrack Awards.
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Features“It’s addictive working with Paul Thomas Anderson”: Jonny Greenwood on their long collaboration and scoring ‘One Battle After Another’
The Radiohead founding member has collaborated with Anderson on six films so far, and says he has started working on the seventh.
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FeaturesFrom a minimalist flutes-only approach to ‘The Drama’ to a full-on rock score for ‘Masters Of The Universe’, Daniel Pemberton never wants to repeat himself
The UK composer’s scores this year also include Project Hail Mary and animated sequel The Bad Guys 2.
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FeaturesHow Slovenia’s Danijel Hočevar became one of Europe’s most prolific coproducers
Through Vertigo Films, he has six films across the Sarajevo festival and CineLink programme this year.
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FeaturesRising Macedonian filmmaker Kosara Mitić talks working with young non-professionals in ‘17’
The film is screening in the main competition of the Sarajevo Film Festival after a Berlinale Perspectives launch in February.
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FeaturesMoby talks film investment strategy and what the music industry could teach indie film
Moby and Lindsay Hicks’ Little Walnut has backed Edinburgh opener ‘The Incomer’.
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Features“We put our money where our mouth is,” says Sarajevo’s Jovan Marjanovic on showcasing female filmmakers
The festival director talks about his ambitions for this year’s edition and beyond.
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Features“Evil is part of our life”: director Felix Randau on ‘I Is Another’ about Himmler's masseur
Film stars Claes Bang as the former massage therapist to SS leader Heinrich Himmler, who claims to have saved thousands of lives.
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FeaturesEdinburgh director Paul Ridd on why he would love to create a film market at the festival
”It starts with building the confidence of the market, of sales reps, producers, filmmakers.”
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NewsSundance head talks expanded sections, new Fipresci award for 2027 Colorado edition
First edition in Boulder runs January 21-31, 2027.
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Features‘Dear You’ director Lan Hongchun talks inspiration and reactions to his Chinese sleeper hit
The film ranks as 2026’s second biggest film at the China box office to date.