All Awards articles
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FeaturesJason Reitman on making ‘Saturday Night’ at a breakneck pace, sticking with smaller features
Telling the story of the fevered 90 minutes leading up to an iconic TV launch, Jason Reitman captures the energy with his own film Saturday Night. He talks to Screen about his meta approach.
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News‘The Count Of Monte-Cristo’ leads nominations for France’s Cesar Awards
Also strong showings for ’Beating Hearts’ and ’Emilia Perez’.
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FeaturesSean Baker breaks down four key scenes from ‘Anora’: "I always encourage my actors to improvise"
Anora depicts events leading up to — and spiralling down from — an extraordinary set of nuptials. Filmmaker Sean Baker reveals all to Screen about the creation of four key scenes.
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FeaturesHow the ‘Wicked’ co-writers turned one hit stage show into two musical feature films
Wicked co-writers Winnie Holzman and Dana Fox talk to Screen.
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Features‘Emilia Pérez’ make-up artist on transforming Karla Sofia Gascon into a drugs lord
Emilia Pérez make-up artist Julia Floch-Carbonel talks to Screen about her Bafta‑nominated work on Jacques Audiard’s ode to the power of transformation.
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NewsScreen digital edition: January 28
The issue sees four UK awards campaigners give their verdicts on the Bafta nominations, and features an interview with Philip Knatchbull on his return to Curzon.
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FeaturesEdward Norton on career choices, ‘A Complete Unknown’ and bonding with Timothee Chalamet
Four-time Oscar nominee Edward Norton showcases a benevolent side as folk singer Pete Seeger in A Complete Unknown. Just don’t tell him he’s playing against type.
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Features‘The Wild Robot’ creators on creating its impressionistic look, a potential sequel
Screen talks to director Chris Sanders and producer Jeff Hermann about creating the island adventure.
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Features‘The Brutalist’ composer Daniel Blumberg talks close bond with Brady Corbet: "It’s like a weird kind of osmosis"
“I’m used to living with Brady,” says Blumberg. “For me it’s all about the director, trying to be an extension of Brady’s instincts.”
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NewsAmerican Cinema Editors set new awards show date after LA wildfires delay
Wicked director Jon M. Chu to receive Filmmaker of the Year award.
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FeaturesBespoke jewellery and "a claustrophobic mood": creating the visual look of 'Conclave'
The Conclave crafts team trod a line between Vatican reality and creative imagination.
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NewsFive Oscar nominations talking points: less diversity, surprise shut-outs and Universal sets record
Coralie Fargeat, director of ’The Substance’, does much of the heavy lifting for female representation.
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NewsOscars 2025: ‘Emilia Perez’, ‘The Brutalist’, ‘Wicked’ lead nominations
‘Emilia Perez’ has 13 nominations, followed by ‘The Brutalist’ and ‘Wicked’ on 10.
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NewsOscars ceremony to proceed on March 2, live song performances out
CEO Bill Kramer and president Janet Young say in letter: ”We are stronger together.”
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News‘Emilia Perez’ dominates France’s Lumiere awards
The Lumieres are voted for by 38 international press correspondents in France.
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FeaturesSundance head previews 2025 line-up: “a programme that is ready to meet an audience”
Festival is ready for what could be its second-to-last year in Park City.
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News‘The Brutalist’, ‘Conclave’, ’Anora’, ‘Emilia Pérez’ among PGA nominees
Nickel Boys, Sing Sing miss the cut.
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FeaturesJon M Chu breaks down four key scenes from ‘Wicked’: "everything had to have a little spin on reality"
Universal’s two-film adaptation of hit stage musical Wicked is a gamble that has already paid off, creatively and commercially. Director Jon M Chu tells Screen about the choices he made in four key scenes.
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FeaturesBrady Corbet on the seven-year journey to make ‘The Brutalist’: “I was pretty relentless”
Art and commerce clash in Brady Corbet’s The Brutalist. The filmmaker, who battled for years to realise his vision for the epic drama, can relate personally — as he tells Screen.