All Must Read articles
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Reviews‘The End Of It’ review: Striking future-set study of mortality hangs on a layered performance from Rebecca Hall
Maria Martinez Bayona’s Cannes Premiere title also stars Gael Garcia Bernal, Noomi Rapace and Beanie Feldstein.
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FeaturesLukas Dhont talks First World War drama ‘Coward’: “This is a film that needs to speak to young people”
Dhont is back in Cannes Competition for a second time with his third feature.
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NewsVicky Krieps in talks to star in comedy ‘Operation Annie’ for Luxembourg’s Samsa Film
EXCLUSIVE: The film is about the US forces who pumped out fake propaganda broadcasts to the Nazis in 1944.
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Features“Diversity is the defining feature of European cinema,” says European Film Promotion president Vítor Pinheiro
One year into the job, Pinheiro reflects on the challenges facing the European industry and how some of EFP’s programmes can help.
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Reviews‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama
Sachs’s Cannes Competition title plays out in 1980s New York City
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Reviews‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama
The Cannes Competition title follows real-life opportunist Henri Marre as he seeks to make a mark in 1940s France
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Reviews‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
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NewsKen Loach talks Wim Wenders, European support at Cannes beach screening
Loach decries return of fascism; Cannes juror Paul Laverty praises “the wonderful people of Gaza”.
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NewsJapan’s K2 Pictures boards Karim Ainouz’s English-language drama ‘Neon River’
EXCLUSIVE: The film will shoot in Japan in 2027.
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News‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands
Andrey Zvyagintsev’s latest is just behind ‘Fatherland’ in the rankings.
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FeaturesClio Barnard on ‘I See Buildings Fall Like Lightning’: “It’s about housing and how f**ked up that is”
Clio Barnard is the only high-profile UK filmmaker selected for this year’s Cannes Film Festival, with I See Buildings Fall Like Lightning in Directors’ Fortnight.
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Reviews‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its strong performances
The ‘Ali & Ava’ director’s Cannes Directors’ Fortnight title stars Joe Cole, Lola Petticrew and an excellent UK cast