All Orizzonti articles
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Reviews‘The Color Of The Sun’ review: Sensual Okinawa-set coming-of-age tale makes for a striking, enigmatic debut
Venice Horizons title is visually assured exploration of adolescence against the tensions of contemporary Okinawa
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Reviews‘A Common Story’ review: Alba Rohrwacher is extraordinary in distinctive, daring Italian empty nest drama
Anna Foglietta’s accomplished debut premieres in Venice Horizons
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Reviews‘A Day In The Life Of Jo: Chapter Phaedra’ review: Formally bold, compassionate drama is inspired by a real-life Greek tragedy
The 2008 police killing of a teenager in Athens informs Jacqueline Lentzou’s audacious Venice Horizons title
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Reviews‘The Burning Giants’ review: Shape-shifting Thai displacement drama blurs myth and reality
’Manta Ray’ director Phuttiphong Aroonpheng turns his attention to marginalised S’gaw community in ambitious third feature
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Reviews‘The Difficult Bride’ review: A fairytale Bangladeshi wedding turns into a nightmare in sharp feminist body horror
Rubaiyat Hossain’s latest work becomes the first Bangladeshi film to play in Venice
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Reviews'Diane In the Loop’ review: Quirky Belgian drama confronts the legacy of sexual violence
Ann Sirot and Raphaël Balboni’s funny, compassionate third feature is produced by the Dardenne brothers
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Reviews‘Eklipse’ review: Tender 1999-set debut explores an Austrian childhood in the shadow of AIDS
Secrecy and stigma threaten a childhood friendship in Manuel Wetscher’s Venice Horizons premiere
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Reviews‘House Of The Wind’ review: A tender Cameroonian study of solitude and unexpected kinship
Auguste Bernard Kouemo Yanghu’s debut finds emotional force in an ageing mother’s search for connection
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Reviews‘Too Much Sugar’ review: Robert Greene delivers a clear-eyed portrait of family dysfunction and filmmaking as therapy
The Procession director’s latest is a moving exploration of fatherhood and masculinity in small-town Missouri
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Reviews‘Falling House’ review: Unsubtle Iranian family drama turns a condemned home into a symbol of patriarchal control
A Tehran family is pushed to breaking point in Mohsen Gharaei’s Venice Horizons premiere
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Reviews‘The Girl With The Leica’ review: Gerda Taro biopic struggles to bring its pioneering photojournalist subject into focus
Alina Marazzi’s lively, mannered portrait of the Spanish Civil War photographer opens Venice Horizons
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NewsVenice Horizons title ‘Eklipse’ acquired for international sales
EXCLUSIVE: Debut feature is set in Tyrolean Alps during the 1999 full solar eclipse.
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NewsVenice Horizons title ‘What Belongs To Others’ boarded for sales
EXCLUSIVE: Film is second feature from Polish filmmaker Grzegorz Debowski.
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NewsMark Jenkin’s ‘Rose Of Nevada’ acquired for UK-Ireland cinema release
EXCLUSIVE: Film scheduled for release in 2026.
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Reviews‘On The Road’ review: Venice Horizons winner is taut, tender tale of gay Mexican drifter
Writer/director David Pablos sets his story in the ultra-masculine environment of Mexico’s trucking community
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Reviews‘Barrio Triste’ review: Colombian-American photographer Stillz sets his debut in 1980s Medellin
Harmony Korine produces the unfocused feature about disaffected kids, which premieres in Venice Horizons
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Reviews‘Human Resource’ review: A pregnant worker navigates a hostile world in Thai drama
Nawapol Thamrongrattanarit’s Venice Horizons title features an enigmatic central performance from Prapamonton Eiamchan
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Reviews‘Divine Comedy’ review: Ali Asgari skewers Iranian cultural restrictions in witty satire
Charming performances carry Asgari’s fifth feature about a fictional director attempting to screen his latest film in Tehran
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Reviews‘Lost Land’ review: Two young siblings from Myanmar journey alone in search of a better life
Well-intentioned Venice Horizons title from Japanese filmmaker Akio Fujimoto is first-ever Rohingya-language feature
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Reviews‘A Year Of School’ review: A Swedish girl finds her way in an Italian all-male high school
Laura Samani’s engaging comedy-drama premieres in Venice Horizons